Meanwhile, I’ve recently had a much better experience with Jeremy’s method of using notecards for composition of hyperfiction has worked much better. It seems the notecards are easier to rearrange, add to, etc., all the things I tend to like about hyperfiction in general.

Jeremy, do you want to describe the process?

Mark, I’ve actually been doing a bit of thinking about Eastgate’s paper-business in general (I’m on their mailing list), and I think perhaps I’ll flesh out a few of those threads of thought into a full post. I’ll pass on detailing my index card system here for now, but you can find quite a bit by now on methods of index-card composition by searching the usual suspects for “Hipster PDA” or “Personal Analog Assistant” - both indicative of the bleeding edge neo-luddite-chic that this comes out of, and worthy of comment - Eastgate and the stationary store revival make mighty strange bedfellows, but I think on closer examination it all makes perfect sense.

Now to do the closer examination. :)

Meanwhile, I’ve recently had a much better experience with Jeremy’s method of using notecards for composition of hyperfiction has worked much better. It seems the notecards are easier to rearrange, add to, etc., all the things I tend to like about hyperfiction in general.

Jeremy, do you want to describe the process?