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	<title>Comments on: Forms of Electronic Texts</title>
	<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/</link>
	<description>a blog and podcast dedicated to discussing text arts forms</description>
	<pubDate>Mon, 08 Sep 2008 16:46:08 +0000</pubDate>
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	 <copyright>Writer Response Theory 2004-2005</copyright>
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    <itunes:subtitle>Comment-cast: Forms of Electronic Texts</itunes:subtitle>
    <itunes:summary>Comment-cast: Forms of Electronic Texts</itunes:summary>
    
    <itunes:author>Writer Response Theory</itunes:author>    
    <itunes:owner>
        <itunes:name>Writer Response Theory</itunes:name>
        <itunes:email>wrt@writerresponsetheory.org</itunes:email>
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        <title>WRT: Writer Response Theory</title>
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	<item>
		<title>by: Christy Dena</title>
		<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-436</link>
		<pubDate>Fri, 16 Sep 2005 05:00:10 +0000</pubDate>
		<guid>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-436</guid>
					<description>Good stuff. I love that logo by the way. ;)</description>
		<content:encoded><![CDATA[<p>Good stuff. I love that logo by the way. ;)
</p>
]]></content:encoded>
			                <itunes:author>Christy Dena</itunes:author>
        <itunes:subtitle>Good stuff. I love that logo by the way. ;) </itunes:subtitle>
        <itunes:summary>Good stuff. I love that logo by the way. ;) </itunes:summary>
	</item>
	<item>
		<title>by: Geoffrey Rockwell</title>
		<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-435</link>
		<pubDate>Fri, 16 Sep 2005 04:10:50 +0000</pubDate>
		<guid>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-435</guid>
					<description>Stéfan Sinclair can give you permission to edit. I'll drop him a line. He organized the TADA conference where we all got T-shirts with the ironic logo &quot;Real Humanists Build Tools&quot;. </description>
		<content:encoded><![CDATA[<p>Stéfan Sinclair can give you permission to edit. I&#8217;ll drop him a line. He organized the TADA conference where we all got T-shirts with the ironic logo &#8220;Real Humanists Build Tools&#8221;.
</p>
]]></content:encoded>
			                <itunes:author>Geoffrey Rockwell</itunes:author>
        <itunes:subtitle>Stéfan Sinclair can give you permission to edit. I'll drop him a line. He organized the TADA conference where we ...</itunes:subtitle>
        <itunes:summary>Stéfan Sinclair can give you permission to edit. I'll drop him a line. He organized the TADA conference where we ...</itunes:summary>
	</item>
	<item>
		<title>by: Christy Dena</title>
		<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-432</link>
		<pubDate>Thu, 15 Sep 2005 13:54:11 +0000</pubDate>
		<guid>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-432</guid>
					<description>Thanks for coming by Geoffrey. I'd love to paticipate in working out A definition of an etext, and I'm sure Jeremy (and Mark) would too. I've created an account with your TADAwiki but do not have permission to create a page. Would you like to keep discussing the idea here or on a wiki page? If the later, could you create a page under EText or the like? 

I'll be away for the next couple of weeks, but then I'd love to jump right in. Thanks for referring us to &lt;a href=&quot;http://www.stg.brown.edu/resources/stg/monographs/ohco.html&quot; rel=&quot;nofollow&quot;&gt;Renear's OHCO&lt;/a&gt; ideas too.</description>
		<content:encoded><![CDATA[<p>Thanks for coming by Geoffrey. I&#8217;d love to paticipate in working out A definition of an etext, and I&#8217;m sure Jeremy (and Mark) would too. I&#8217;ve created an account with your TADAwiki but do not have permission to create a page. Would you like to keep discussing the idea here or on a wiki page? If the later, could you create a page under EText or the like? </p>
<p>I&#8217;ll be away for the next couple of weeks, but then I&#8217;d love to jump right in. Thanks for referring us to <a href="http://www.stg.brown.edu/resources/stg/monographs/ohco.html" rel="nofollow">Renear&#8217;s OHCO</a> ideas too.
</p>
]]></content:encoded>
			                <itunes:author>Christy Dena</itunes:author>
        <itunes:subtitle>Thanks for coming by Geoffrey. I'd love to paticipate in working out A definition of an etext, and I'm sure ...</itunes:subtitle>
        <itunes:summary>Thanks for coming by Geoffrey. I'd love to paticipate in working out A definition of an etext, and I'm sure ...</itunes:summary>
	</item>
	<item>
		<title>by: Geoffrey Rockwell</title>
		<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-427</link>
		<pubDate>Wed, 14 Sep 2005 22:55:04 +0000</pubDate>
		<guid>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-427</guid>
					<description>Just came across this entry - you should get a TADA wiki account and post an alternative definition - lets see if we can refine an improve what we mean. Now to try to defend the &quot;defintion&quot; we provided.

First, the word &quot;typically&quot; - I was trying to describe the set of objects that get called electronic texts in humanities computing and classify them. I shouldn't claim it is a coherent set - but the ones out there I see being treated as e-texts are typically electronic editions of literary works, linguistic corpora, born digital texts, and original files used for print. The passage you quote is followed by a list of examples. I wonder if we come up with a more logical classification that avoids the material problems you point out while still respecting the way the term is used? Alternatively one could define e-texts as X and explain that one is therefore excluding, for example transcripts of oral events.

For me the more interesting issue is the problems we have with defining &quot;text&quot; - see the whole debate around Renear's OHCO theory. A cheap definition of an e-text would be to say it is an electronic version of anything that can be called a text -and that is sort of what I try in the last sentence you quote. Could we end up using e-text for those things that are not remediations (which we would just call texts)? Anyway, I'm not happy with waving my hand about readability or linguistic objects. Any ideas? 
</description>
		<content:encoded><![CDATA[<p>Just came across this entry - you should get a TADA wiki account and post an alternative definition - lets see if we can refine an improve what we mean. Now to try to defend the &#8220;defintion&#8221; we provided.</p>
<p>First, the word &#8220;typically&#8221; - I was trying to describe the set of objects that get called electronic texts in humanities computing and classify them. I shouldn&#8217;t claim it is a coherent set - but the ones out there I see being treated as e-texts are typically electronic editions of literary works, linguistic corpora, born digital texts, and original files used for print. The passage you quote is followed by a list of examples. I wonder if we come up with a more logical classification that avoids the material problems you point out while still respecting the way the term is used? Alternatively one could define e-texts as X and explain that one is therefore excluding, for example transcripts of oral events.</p>
<p>For me the more interesting issue is the problems we have with defining &#8220;text&#8221; - see the whole debate around Renear&#8217;s OHCO theory. A cheap definition of an e-text would be to say it is an electronic version of anything that can be called a text -and that is sort of what I try in the last sentence you quote. Could we end up using e-text for those things that are not remediations (which we would just call texts)? Anyway, I&#8217;m not happy with waving my hand about readability or linguistic objects. Any ideas?
</p>
]]></content:encoded>
			                <itunes:author>Geoffrey Rockwell</itunes:author>
        <itunes:subtitle>Just came across this entry - you should get a TADA wiki account and post an alternative definition - lets ...</itunes:subtitle>
        <itunes:summary>Just came across this entry - you should get a TADA wiki account and post an alternative definition - lets ...</itunes:summary>
	</item>
	<item>
		<title>by: Jeremy Douglass</title>
		<link>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-217</link>
		<pubDate>Wed, 15 Jun 2005 09:45:11 +0000</pubDate>
		<guid>http://writerresponsetheory.org/wordpress/2005/06/14/forms-of-electronic-texts/#comment-217</guid>
					<description>I agree this typology is a description of common forms.  The thinking seems to be &quot;where did it come from, where is it going?&quot; - with physical-analog, oral, and born-digital being the three main options as you said above.

 - Visual-Digital (image of a page to computer encoding)
 - Audio-Digital (sound of words to computer transcript)
 - Digital-Digital (computer to computer transcoding)

The weird thing that jumps out at me is the fourth type, #2 on their list, the classification of Postscript / PDF and other print-intended formats.  Where are they going? The analog world, but they haven't gotten there yet, and so it can be studied as digital text.

 - Digital-Analog (encoding to ink representation)

Which raises the question, does Digital-Audio also count?

I like the transcription-typology approach, but I wonder if &lt;a href=&quot;http://diveintoaccessibility.org/&quot; rel=&quot;nofollow&quot;&gt;computer users with accessibility issues&lt;/a&gt; would tend to find such an approach helpful or just annoying, since transcription into audio etc. is a fact of life - in fact, all kinds of what you call direct or staggered remediations are post-processes that are easily available for anything digitally passing through.

I'm wandering. I may need to go look up that passage with Lev Manovich's description of the &lt;em&gt;Universal Media Machine&lt;/em&gt;.
</description>
		<content:encoded><![CDATA[<p>I agree this typology is a description of common forms.  The thinking seems to be &#8220;where did it come from, where is it going?&#8221; - with physical-analog, oral, and born-digital being the three main options as you said above.</p>
<p> - Visual-Digital (image of a page to computer encoding)<br />
 - Audio-Digital (sound of words to computer transcript)<br />
 - Digital-Digital (computer to computer transcoding)</p>
<p>The weird thing that jumps out at me is the fourth type, #2 on their list, the classification of Postscript / PDF and other print-intended formats.  Where are they going? The analog world, but they haven&#8217;t gotten there yet, and so it can be studied as digital text.</p>
<p> - Digital-Analog (encoding to ink representation)</p>
<p>Which raises the question, does Digital-Audio also count?</p>
<p>I like the transcription-typology approach, but I wonder if <a href="http://diveintoaccessibility.org/" rel="nofollow">computer users with accessibility issues</a> would tend to find such an approach helpful or just annoying, since transcription into audio etc. is a fact of life - in fact, all kinds of what you call direct or staggered remediations are post-processes that are easily available for anything digitally passing through.</p>
<p>I&#8217;m wandering. I may need to go look up that passage with Lev Manovich&#8217;s description of the <em>Universal Media Machine</em>.
</p>
]]></content:encoded>
			                <itunes:author>Jeremy Douglass</itunes:author>
        <itunes:subtitle>I agree this typology is a description of common forms.  The thinking seems to be "where did it come ...</itunes:subtitle>
        <itunes:summary>I agree this typology is a description of common forms.  The thinking seems to be "where did it come ...</itunes:summary>
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