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Comments on: Charles Deemer wants a hypertheater, ACM HT08 http://writerresponsetheory.org/wordpress/2008/06/19/charles-deemer-wants-a-hypertheater-acm-ht08/ a blog and podcast dedicated to discussing text arts forms Tue, 21 Nov 2017 21:19:32 +0000 http://wordpress.org/?v=2.0.2 en Writer Response Theory 2004-2005 wrt@writerresponsetheory.org (Writer Response Theory) wrt@writerresponsetheory.org Talk Radio Comment-cast: Charles Deemer wants a hypertheater, ACM HT08 Comment-cast: Charles Deemer wants a hypertheater, ACM HT08 Writer Response Theory Writer Response Theory wrt@writerresponsetheory.org http://writerresponsetheory.org/wordpress/wp-content/uploads/iTWRT.JPG WRT: Writer Response Theory http://writerresponsetheory.org/wordpress 144 144 by: Mark Marino http://writerresponsetheory.org/wordpress/2008/06/19/charles-deemer-wants-a-hypertheater-acm-ht08/#comment-219687 Thu, 19 Jun 2008 15:49:37 +0000 http://writerresponsetheory.org/wordpress/2008/06/19/charles-deemer-wants-a-hypertheater-acm-ht08/#comment-219687 How does the Babal, Rashomon, as I Lay Dying narrative affect us when we experience it following our own paths versus following a set path (film, play, drama, novel)? One aspect that it changes for me is in the creation of dramatic irony, which is only possible if someone has the information (suggested or otherwise) of later events. That's not to say that a linear text can't produce dramatic irony -- but that different ironies are produced depending on our sequence. In Charles Deemer's piece we experienced this by seeing Bobby's story first. Kate's second. Deprecated: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in /home/writerresponse/writerresponsetheory.org/wordpress/wp-includes/functions-formatting.php on line 76

How does the Babal, Rashomon, as I Lay Dying narrative affect us when we experience it following our own paths versus following a set path (film, play, drama, novel)?

One aspect that it changes for me is in the creation of dramatic irony, which is only possible if someone has the information (suggested or otherwise) of later events. That’s not to say that a linear text can’t produce dramatic irony — but that different ironies are produced depending on our sequence.

In Charles Deemer’s piece we experienced this by seeing Bobby’s story first. Kate’s second.

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Mark Marino How does the Babal, Rashomon, as I Lay Dying narrative affect us when we experience it following our own paths ... How does the Babal, Rashomon, as I Lay Dying narrative affect us when we experience it following our own paths ...
by: Mark Marino http://writerresponsetheory.org/wordpress/2008/06/19/charles-deemer-wants-a-hypertheater-acm-ht08/#comment-219680 Thu, 19 Jun 2008 15:38:18 +0000 http://writerresponsetheory.org/wordpress/2008/06/19/charles-deemer-wants-a-hypertheater-acm-ht08/#comment-219680 I'm going to pose this as a comment This is not processing-intensive but it is a fundamental narrative question that we are still wrestling with. Who is actively and critically working on these questions now? Deprecated: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in /home/writerresponse/writerresponsetheory.org/wordpress/wp-includes/functions-formatting.php on line 76

I’m going to pose this as a comment

This is not processing-intensive but it is a fundamental narrative question that we are still wrestling with. Who is actively and critically working on these questions now?

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Mark Marino I'm going to pose this as a comment This is not processing-intensive but it is a fundamental narrative question that we ... I'm going to pose this as a comment This is not processing-intensive but it is a fundamental narrative question that we ...