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At Siggraph 2005 in Los Angeles, one set of skirts stole the e-tech show. The line of techno-couture, exhale: breath between bodies by the whisper(s) research group, takes embodiment seriously in ways that our purely electronic (ARGs and biowriting aside) approach to digital character art often does not. What we see here is not just the exercise of novelty or experiments in electronic composition, but a collective of theoreticians whose hands are busy at the work of stitching communal interaction.

What do the skirts do? They allow your body to communicate through passive (autonomic, if you will) and active means. The ensembles (for they are more than just skirts), using breath bands and vibrators, translate your breath and heart rate into digital signals and transmit this information, only to have it be decoded as sound or vibration. In essence, your breath and heart rate become a language. Your body signifies in its biological semantics. With respect to WRT, the digital character of this art resides beneath the exhale.

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Recently I talked about the idea of biowriting and the interesting category of DNA bioart. Here is one example of digital DNA biowriting in practice.

One of the central issues of representation in DNA biowriting is transcoding the alphabet into DNA. In digital DNA biowriting, this means transcoding ASCII or Unicode into the nucleotides adenine, cytosine, […]

Biowriting


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Like lightwriting and waterwriting, and I’d like to consider a new category of (digital) text art - biowriting.
I’m proposing “biowriting” as a term for symbolic inscription in bioart.
What is bioart? Bioart is art which uses living biological organisms as material components. This definition encompasses biomasses of all sizes, from individual bonsai to complex arrangements of […]






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